After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. 1 pop hits appeared on the Easy Listening chart. The method for compiling the chart at that time allowed some rock and roll artists, such as Lesley Gore and The Drifters, to make the chart on occasion with their softer or ballad releases, regardless of whether Easy Listening and middle of the road radio stations were actually playing those songs. In the early years of the Easy Listening chart, the top song on the chart was generally always a Top 10 pop hit as well. In addition, the term " hot AC" refers to another subgenre of radio programming that is distinct from the Adult Contemporary chart, despite the apparent similarity in name.Īs of issue August 20 " Cold Heart" by Elton John and Dua Lipa is the current number one. Although they are sometimes mistaken for each other, the Adult Contemporary chart and the Adult Top 40 chart are separate charts, and songs reaching one chart might not reach the other. In 1996, Billboard created a new chart called Adult Top 40, which reflects radio station programming that exists somewhere between "adult contemporary" music and "pop" music. In April 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. After alternating the name of this chart twice more in less than a year, Easy Listening was again chosen as the chart name in 1965 when the change in compilation occurred. In 1964, the name changed again, this time to Pop-Standard Singles. The chart was known as the Easy Listening chart until 1962, when it was renamed Middle-Road Singles. Currently the Hot Adult Contemporary Tracks chart is compiled in much the same way as for other radio formats. By the early 1990s, automatic song detection and barcode sales information had begun to be the norm for most of the Billboard charts, although by this time the AC chart was based entirely on radio airplay and no longer incorporated retail sales reports. ( Record World's equivalent "non-rock" chart followed the same criteria from 1967 through 1971.) Beginning in 1965, the Easy Listening chart would begin to be compiled by a method similar to the one used for other Billboard singles charts: reported playlists from radio stations airing the format as well as sales data submitted by record stores. įrom 1961 to 1965, this chart was compiled from the Billboard Hot 100 chart by removing songs that were deemed rock and roll by the magazine and re-ranking the remaining songs. 1 song on the Billboard Easy Listening chart was " The Boll Weevil Song" by Brook Benton. The magazine offered an "Easy Listening" programming guide beginning January 9, 1961, which continued until the numbered chart appeared in July. Billboard had written articles about this trend during the time, and the magazine's editors decided to publish a separate chart for these songs beginning in 1961. The Billboard Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as " rock and roll" stations. 5.5 Artists with most cumulative weeks at number one.5.3 Songs with most weeks at number one.5.2 The top 10 adult contemporary artists (1961–2011).
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